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Hardcover, still sealed, 1st Edition NM+
- Sales Rank: #8394239 in Books
- Published on: 1997
- Binding: Hardcover
Most helpful customer reviews
18 of 19 people found the following review helpful.
The 30th century in 1965
By Benjamin Herman
In volume four of the Legion Archives you can see certain hints of the DC Comics to come. Most of the material here is rooted in DC's Silver Age traditions: single issue stories, minimal characterization, a modest art style. And yet there are definite indications that the series was gradually changing. One character's status quo is dramatically altered. Two-part stories start to become more common. Subplots from previous issues crop up. A recurring villain returns once again, and two more are introduced. The result is a mixture of the established DC style with the more innovative elements that were coming into use in superhero stories around this time. And even the more conventional material is enjoyable. Several of the stories have a very space opera-ish feel to them, no surprise considering they were written by pulp sci-fi author Edmond Hamilton. There is also humor, as seen in the Legion's encounter with their Bizarro duplicates, and in the debut of the extremely oddball Insect Queen. Artwise, John Forte and Jim Mooney's pencils may lack a certain sophistication, but they definitely possess strong storytelling. Forte also adds a certain stylish flair to his depictions of both strange alien beasts and beautiful women. All in all, the material here is interesting and entertaining. It's not deep or terribly innovative, but it is a lot of fun.
2 of 2 people found the following review helpful.
Collection of Legion Comics Showing the End of an Era and Some Transitions
By Kevin M. Derby
The fourth volume of the Legion Archives series contains comics from 1965. As K.C. Carlson, who edited some of the reboot Legion's comics in the 1990s notes in the excellent introduction to this volume, while there are some important Legion developments--such as the flight rings--this book does not contain the most memorable of stories.
Fans of the Legion will enjoy this work. While the Legion has a large cast, the various personalities and romantic attachments that shaped the group did not play a prominent role in earlier volumes. In this volume, readers will find one of the team's founders starting to come into his own while two romantic couples are clearly launching their relationships. The Time Trapper makes his debut after a long buildup and there are more two part stories included in this volume than in previous ones. There are some traces that Marvel Comics, DC's great rival, was starting to influence the Legion but the full changes spearheaded by Jim Shooter were still waiting in the future.
But if there are some transitions, in many ways these comics serve as an endcap to the first phase of the Legion's development. Superboy is still the lead character and the Legion revolves around him--including an odd Lana Lang appearance as Insect Queen. These stories show the influences of mid 20th century science fiction--which makes sense since Edmond Hamilton, a pretty solid writer in the genre, crafted most of these plots.
Fans of the Legion and the Silver Age of comics will enjoy this book. I'm not sure how this book will fare outside those audiences. While this book does not contain the most memorable of comic, it's clear the Legion was starting to come into its own. 1965 marked the end of one era for the Legion and the transitions are fascinating to watch in this enjoyable volume.
3 of 4 people found the following review helpful.
Edmond Hamilton era in full swing.
By Amazon Customer
This edition captures the period when Ed Hamilton was providing the lions share of writing and he provided some really fine stories based on his usual penchant for adapting classic novels to his superheroes. One of my favorite stories from that period is "The Moby Dick From Space". Tragedy again befalls poor Lightning Lad. Also we get the introduction of Starfinger who was one of the Legion's most formidable villains up to this point. John Forte's art never matched up to Curt Swan's beautiful cover art. Whereas Forte's weird, stiff, inflexible, manikin like figures suited the Bizarro stories which Forte drew, and which were replaced by the LOS in Adventure Comics; it was much of the time a distraction from the flow of the story. Forte often positioned the character's body facing the reader with it's head turned at a flat 45 degree angle speaking to another character. It was just unsettling. Arms were generally drawn straight down as one perpetually standing at attention. Forte was one of Swan's better inkers but his art was a poor choice for these characters and this book wouldn't take off until Curt Swan became the chief storyline artist. Still and all this collection is worth reading because of the stories. Much of the Legion lore for the next several decades were established here.
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